So, given the current real estate market, growing unemployment, and general state of the economy, it is possible that you could be living under a rock. Even still, you should have heard this EP by British minimalist dubstep wunderkind James Blake by now. Four songs of R&B sampling glory, starting with a throwback Aaliyah sound bite being thoroughly chopped and screwed and finishing with an angelic choir laid over wispy and uplifting synths. Each click and pop, each strained rhythm and each harmony are so thoughtfully placed and well constructed, it’s hard to imagine that Blake has only been on the scene for a year and a half. Those familiar with Mount Kimbie (who collaborate with James Blake often) may be able to conceptualize the sounds and textures that Blake creates, but unlike Mount Kimbie, rather than building to a full climax with a release, Blake makes a sparse soundscape more reminiscent of the moon than of a jungle. It is the kind of music where the silence is as important as the sound, which is a rare thing to find in music these days. Posted below is one of the standouts (though really all four songs are great) called I’ll Stay. Perhaps it’s a self-fulfilling prophecy, but I believe James Blake truly is here to stay. Also, be on the look out for his brand new four song Klavierwerke EP (which translates to “piano work.” I think you can get an idea what his instrument of choice is this time).

James Blake - I’ll Stay by subraw