Posts tagged: Fuck Buttons
VIDEO MAGIC :: very amazed edition
I Break Horses :: Hearts
dir. Alex Southam
There isn’t much to say about the musical duo of Maria Lindén and Fredrik Balck from Stolkholm other than that they are probably going to be one of the biggest exports from Sweden in the very near future. Their debut single Hearts is a huge electronic shoe gaze wonder, building and building to an amazingly epic finale. The melody in the beginning sounds a lot like the beautiful song Bolan Muppets by Canadian duo Glissandro 70, which I mean more as a compliment than anything else. Laid over the drum beat and static, it sounds like an uplifiting aria of sorts. When Maria’s vocal enter the mix, the song becomes a hazy, shimmering tour de force. Then, more distortion, and the song takes on a huge scope, mixing the rough sensibilites of groups like Little Girls or earlier Wavves tracks while mainting the driving tone reminiscent of Fuck Buttons. The Hearts 12” single is due out the 18th of July, with a B side remix of the single by Tom Rowlands of the Chemical Brothers. Assuredly, it’s huge.
This video, directed by Alex Southam of oof, is absolutely beautiful and plays with the jerks, quirks, and complexities of the song very well. Looking very forward to hearing more from these two in the future.
Pre-order the 12” record here. You’re going to want this one in the collection.
Haunted Ghost’s Chanson du Jour: hangover drift edition
Grouper :: Heavy Water/I’d Rather Be Sleeping
I’m going to take it back to 2008 here, when I was having trouble sleeping , often staring at the myriad lightbulbs and leaves I had hanging from my ceiling, watching the light from passing cars playing through the windows. During the peak of my insomnia, blasting the Fuck Buttons remix of Fever Ray’s If I Had a Heart, trying to find some way to close my eyelids and surrender to slumber, I stumbled on Dragging a Dead Deer Up a Hill, the (at the time) new record from Portland, OR based Grouper - the ambient, electronic/acoustic/vocal solo project of Liz Harris. Sleep came quickly, and the dreams were mystical and vibrant. I could feel the music being transposed into my dreamscape, the hollow, beautiful echo of Harris’ vocals reverberating in my skull, the glorious, constant soft strum of her guitar like a lullaby or like an ocean. It was a feeling which I could only articulate as “in drift” or somewhere between flying and floating.
Grouper has released a slew of rare 7”s, splits (with such bands as City Center, Pumice, Inca Ore, and most recently a 12” split with Roy Montgomery and another 7” with Xela), as well as a collaboration with Xiu Xiu called Creepshow (which is a dynamo. simply put it is a powerhouse record). Dragging a Dead Deer Up a Hill is the fifth and most recent full length she has put out, firmly supplanting Harris as a musical force to be reckoned with and making its way onto many Top 50 Albums of 2008 (including making 37th on Pitchfork’s Top 50). Grouper has been playing occasional live performances here or there, but she is definitely a rare sighting. If you ever get the chance, go to a Grouper show, but don’t fall asleep, just drift.
